“They've been described as "Chinatown Dance Rock," but the Slants are far from a novelty act,” writes The Stranger, Seattle’s alt-rock weekly magazine. NPR’s All Things Considered states that “"It's tempting to peg the Slants in some existing Asian genre: Canto-pop, J-Metal, Viet Core....but they're not quite that simple." Incase you haven’t heard, The Slants are an Asian synth-pop band that have been melting faces off all over the country. Since the creation of the band, The Slants have toured the country five times, received press for turning down a million dollar recording contract as well as being banned from a venue in Portland due to breathing fire, and were the first and only Asian band to be a Fender Music featured artist.
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It was early 2005, when Simon Young decided to leave his group, The Stivs, to start a synth-pop outfit. In essence, he wanted to create synthesizer-driven rock n’ roll but with an Asian twist. Young knew about the potential of the band but wanted find the right blend of musicians to bring the dream to life. Enter Gaijin, who answered one of 
Young's numerous calls for Asian musicians. Though he wasn't Asian himself, the two found a common love for The Faint, Depeche Mode, New Order, Joy Division, and of course, sushi. After the addition of a few other key members, The Slants were formed and began playing in mid-2007.
Within months of their first show, The Slants have found themselves with attention from international press. Most were captivated by their energetic live show and their modern twist on a classic sound. In August 2007, they released a demo version of Slanted Eyes, Slanted Hearts. Within six months of the initial pressing, the band sold all 1,000 copies of these demos and began preparing for an official release.
In 2008, Slanted Eyes, Slanted Hearts was released with all new mixes and artwork, the support of national distribution. The band began touring relentlessly in support of the album. These cross country tours included appearances at rock clubs, anime conventions, cultural festivals, and industry gatherings. Headlining almost every stage they appeared on, the band has played wit some of the hottest up and coming bands from Japan such as Ketchup Mania, Candy Spooky Theatre, and Lin Clover. The Slants also helped celebrate the Portland music scene with a show at Musicfest Northwest 2008, sharing the stage with Sir Mix-A-Lot, Hot Water Music, Mogwai, and Vampire Weekend. Attention for the record continued to grow.
Slanted Eyes, Slanted Hearts has everything that a perfect record should have: shattering hooks and anthemic choruses, powerful guitar and keyboard lines, and just the right mix of rock with darker, dance themes - with an Asian twist. The self-recorded, self-produced, and self-released record quickly caught media attention, with press from NPR’s All Things Considered, Asian Week (the world's largest English printed Asian newspaper worldwide), the Asian Reporter, Willamette Week, Shojo Beat, and the weekly and daily papers of almost every city that the band stepped foot in.
On the album, Aron's voice powers through songs reflecting of love and loss, as well as thoughtful prose about struggling with an Asian identity in American Society. NPR’s April Baer writes that “The Slants' songs about Asian-American alienation don't seem to have hurt their appeal to white teenagers. If anything, they resonate with kids whose geeky adoration for anime makes them outsiders in their own way.”
Jen Cho leads the way with danceable synth leads, also adding sultry back-up vocals in tracks like "Kokoro (I Fall to Pieces)" and "I Want Everything." Throughout the album, Johnny’s guitar adds a rock n’ roll feel behind the synthesizers and AC's pulsating drums keep the dance flavor alive.
PDX-Pole calls The Slants “controversial but well loved.” It’s true, the name has stirred some controversy, bringing the band even more attention. Bassist and founder Simon Young explains, “Most of the people that find our name racist aren’t even Asian! We’re saying to the world ‘We’re proud of who we are, we aren’t going to hide it.’ In fact, our biggest support has been from the Asian community itself!”
Slanted Eyes, Slanted Hearts reflects some of the same themes. Aron explains “We have a song called Sakura, Sakura where we take hateful rhymes about Asians and we turn them into a song about unity and being proud of our heritage.” But the band is more than just sharing similar ethnic heritages: Jen Cho explains that “everyone pays attention to our name. We might be met with a lot of skepticism at first. Once they see us play, they realize that we’re serious musicians and not just a kitschy music project.”
The Slants are now poised to take on the world with their own music and presence, their own name. Like the power of the rising sun, The Slants are bold, majestic, and filled with unlimited potential to light the dark ignorance of society...all while melting people’s faces off with “Chinatown Dance Rock!”
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Aron Moxley | Vocals
Frontman for The Slants, Aron was born in Vietnam but grew up in the mean streets of the Northwest. Aron used to be known for breaking beer bottles on his head in "Evening at the Black House" but now sings and breathes fire for the band.
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Simon Young | Bass
Bassist and founding member of The Slants, Simon is an "ABC" (American Born Chinese) and grew up in San Diego before moving to Portland to join punk rock band
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Johnny Fontanilla | Guitar
Guitarist and resident "Filibeano" (Half-Filipino, half-Mexican). Johnny also grew up in San Diego and now travels the world with The Slants.
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Tyler Chen | Drums
Drummer for The Slants, Tyler, originally auditioned for the band but decided to join Silversafe instead. It wasn't until two years later that he made the right decision to swing sticks for Chinatown Dance Rock!
Feel free to ask any question you would
like answered and we'll get to it in time.
The term "slant" actually can refer to a number of things: a sloping position, a skewed position, a diagonal line. At one point in time, it was an obscure racial term to describe Asians (referring to the "slant" of our eyes) but it wasn't a widespread insult. Asian American activists decided that "slant" could be a positive term of pride and began using it that way rather than a negative stereotype that people hold about us. Our band decided to follow suit, using the "slant" as a strong statement of Asian American pride. While we never set out to be a socio-political band, we've found that as artists we had a responsibility to speak up for those whose voices are often lost. We wanted to share about the Asian American experience.
These days, we often hold workshops on stereotyping and diversity across North America to address some of these issues. The band is also involved with nearly two dozen Asian Pacific American organizations that advocate for our community and we work with events all over the country to raise money for important causes. In addition, inidivudal members of The Slants find meaningful ways to give back to our community through volunteer work and supporting local charities.
Our signature "Chinatown Dance Rock" sounds like an 80's dance party mixed with modern indie rock. We're often compared to Depeche Mode, The Faint, The Cure, The Bravery, Joy Division, and the Killers.
The Stivs, Son of Rust, Written in Ashes, Evening at the Black House, Lakeshore Driving, Poolside Anthem, Rockaway Teens, Veritas, and many more.
You can buy everything at a Slants show for a discounted price. You can also buy stuff here on this site, and the albums are available at
The best way to stay informed is to subscribe to our monthly newsletter. You'll get exclusive content, tour dates, as well as free stuff for signing up.
You can also follow The Slants on your favorite social networking sites: Facebook, Twitter, YouTube, or Myspace.
THE SLANTS and our fans are a family. We do not encourage organized crime.
In our early years, we had an Asian mafia thyeme inspired by Kill Bill and popular Hong Kong action films. These days, we're just THE SLANTS.
Aron:
Microphones: Shure, AKG, Blue and Neumann
Effects/Pedals: Digitech and Boss vocal prcoessors
Simon Young:
Basses: Fender Jaguar bass (S. Young custom), Gibson Thunderbird bass guitar (S.Young signature model), Fender Jaguar standard, Eastwood Airline Bass, Eastwood Hi-Flyer bass, 1970 Westbury Track 2, 1960 Lotus, 1970 USSR Flyer
Amplification: Mesa Boogie M-Pulse amp, and MarkBass 8x10 cabinet
Johnny:
Guitars: Gibson Les Paul, Eastwood Sidejack DLX, Fender Stratocaster, Fender Telecaster, 1960 Hondo.
Amplification: Marshall JCM900 amp with Mesa Boogie 4x12 slant cabinet
Accessories: Boss Metal Overdrive Pedal, Boss Tuner, Big Muff distotion and Dunlop (straps. straplocks, picks). Gibson cases
Tyler Chen:
Pearl drums and hardware, Sabian AAX cymbals, Saluda cymbals, 5A sticks
The Slants also use a variety of additional instruments not listed. Please contact for details.
Email your questions to
Anrgy Asian Man: "Slanted Eyes, Slanted Hearts kicks some serious ass. They've got this throbbing synth-pop/ dance-rock sound with a badass Asian twist. Their vibe recalls bands like Depeche Mode, New Order, Joy Division... and more recently, The Killers... This band knows what it's doing"
The Stranger: "They've been described as "Chinatown Dance Rock," but the Slants are far from a novelty act. The band's infectious, urgent electro-pop has won fans of all stripes and colors, from anime aficionados to comic collectors to musos and beyond, and their rollicking live show is not to be missed. "
Oregon Public Broadcasting: "It's tempting to peg the Slants in some existing Asian genre: Canto-pop, J-Metal, Viet Core.... but they're not quite that simple."
Power & Politics: "The Slants rock really hard. For me, their pan-AAP identity is actually a very far second to their sound - I'd be proudly rocking this noise out of my stereos if The Slants were green and purple as opposed to yellow and white."
Fender Music Inst. Corp: "Powerful guitar and keyboard lines, combined with the darker but danceable tradition of their aforementioned musical heroes, immediately earned the group international press and a busy performance schedule."
Shojo Beat: SB-approved and on the hot list!
JRock Events USA: "The Slants is a powerful and brilliant band with a bold sound that will melt your face clean off"
LivePDX.com: "Asian dance rockers The Slants are carving out quite the niche in the vibrant Portland music community. Melodic niceties meld with edgy retro-futuristic resonance to create a familiar yet one-of-a-kind sound."
The Willamette Week: "It's a great story: All-Asian synthcore troupe lands anime festival, achieves instantaneous notoriety from overpacked fireball-laden maelstrom, inspires John Woo and Dragon Ball Z fans toward aggro electro and just months after its first practice it books gigs across the globe. As shadow-warriory as the Slants' rise has been, it's still all about the tunes, and the bandís debut floor-filling synth pop bristling with all the menace and grandeur of its oft name-checked cultural iconsóis propulsive, cinematic and impossible to ignore."
Seattle Noise: "The band's smooth harmonies, infectious melodies and anthemic choruses have attracted young listeners -- dubbed "the Slants army" -- who love anime, video games and manga..."
AsiaXpress: "While most new bands require a grace period before being able to produce a cohesive sound, The Slants 'who formulated their lineup in early 2007' sound like they've been playing together for years. Slanted Eyes, Slanted Hearts is a rich collection of head-nodding, feet-stomping dance tracks that will attract old and new synthpop fans alike."
Slant Eye for the Round Eye: "The Slants don't just play and produce great music - they press the flesh and do whatever it takes to make sure their Chinatown dance rock gets heard."
Portland Mercury: "Kill Bill + R'N'R = The Slants"
Some Awards:
• Hardest Working Indie Band 2007 (SEFTRE)
• Best Local Albums 2007 (Willamette Week)
• Best Asian-American Album 2007 (AsiaXpress)
• Top 10 Stories of 2007 (AsiaXpress)
• Hot List of December 2007 (Shojo Beat)
• Song of the Weekend, 11/21/07 (94.7 KNRK)
• Band of the Week, 12/20//07 (Portland Mercury)
• 1st Place every round Bodogs' Battle of the Bands
The Band:
Booking:
Management:
Publicist: